Galerie Anhava, Grand Palais B 08: ANNE KOSKINEN (born 1969) is a versatile conceptual artist whose works have often addressed the problematic of originals and copies. She is remembered for her photographically detailed watercolours as well her bronze casts of road-kill animals and carved wooden reproductions of paintings.
The Frottages are made by using the frottage technique: pigment is rubbed on the canvas. What is shown here is the materiality of the painting. The Frottages reveal the structure of and the constructions behind the canvas.
The technique of silverpoint, already known in the antique, is an ancestor of modern pencil. It is a comparably time consuming and labour intensive technique that flourished in Europe during the 15th century.
Among other works the installation Last Meal was displayed in the Solo Show. The piece consists of 13 bronze casts of mice and mouse traps. The sculptures are dated according to the date the animals were killed.
Last Meal consists of 13 bronze casts of mice and a rat with mouse or rat trap.
Karuna 26.6.2008 is a bronze cast of a bird nest with a dead baby bird Anne Koskinen found on her farm in Karuna.
Selected works 1992 – 2008
In 2003 Anne Koskinen won the Uutela environmental art competition held by the City of Helsinki and the Helsinki City Art Museum. The work consists of one original stone and three bronze casts.
The installation consists of 6 watercolors, paper size 76×56cm each, and 6 bronze sculptures, various sizes, 2006.
Anne Koskinen hat eigens für die Ausstellung die aus mehreren Zeichnungen und Aquarellen bestehende Arbeit “Keine anderen Veränderungen an der Fassade“ geschaffen.
The works at Galleria K in Huittinen make up a whole whose main theme is anaesthetic relation. Just like everyday life, the process of creating these works both requires and also causes numbness and lack.
In her latest works, Anne Koskinen turns to grand emotions and dreams. The exhibition tells about the things that can happen on a journey with someone else. Let La grande dame intoxicate you.
Series of 10 watercolors, each 76×56cm, 2001
Oil on photographic print, 10 parts, à 46,7×70 cm, 2002
Anne Koskinen’s work made for the Project Room at the Pori Art Museum is called Deus Protector Noster. The piece consists of roadkill she has found along the route between Pori and Helsinki, which she has cast in bronze.
Anne Koskinen’s Autoportraits are bronze casts of paintings.
Digital imaging signed printed sheet, series of 60 pieces, 1998, ca. 40.5×33×2cm when assembled, dimensions of sheet 100×68.5cm, unassembled
Birch sculptures made of works, mainly paintings, of famous artists: an investigation on painting, sculpture and the demand for artistic originality. Through the medium of sculpture, the visual becomes haptic, the painting a sculpture.
The exhibition in the gallery of the Academy of Fine Arts is an attempt to encounter that which is absent. Anne Koskinen explores the material at hand both tangibly and visually, by carving wood by hand, by painting, copying. The works are the result of a contemplative effort, an attempt to approach that which is absent by a variety of methods.
The paintings were painted after Peter Dreher’s series Tag um Tag guter Tag.